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pushpamala phantom lady

pushpamala phantom lady

From 1996 to 1998 Pushpamala created Phantom Lady or Kismet, the artist’s first “photo-performance” work comprised of 25 black-and-white prints. I do different … In her strongly feminist and subversive work and  her collaborations with photographers, writers, theatre directors and film makers, the artist seeks to intervene in the dominant cultural and intellectual discourse. Billed as a Photo Romance and shot in the film noir style, the thriller starred Pushpamala as not only the Phantom Lady but also her doppelganger, the lost twin sister The Vamp. “I call them photo romances because they can be … Recently, she was the Artistic Director of the Chennai Photo Biennale 2019. Pushpamala N, Return of the Phantom Lady (Sinful City) No 7, 2012. The masked character is based on one played by a popular stunt film star of 1930s Hindi films called Fearless Nadia [born Mary Ann Evans (1908–1996), she first became famous for her film ‘Hunterwali’ (woman with a whip) released in 1935.] Auction Closed. Bangalore International Centre 7, 4th Main Road, Domlur II Stage Bengaluru, Karnataka 560 071 India View Map. Buy Phantom Lady #14 artwork by Pushpamala N. on Widewalls. The thriller starred Pushpamala as not only the Phantom Lady but also her doppelganger, the lost twin sister The Vamp, alongside interesting cameos by artist Atul Dodiya and the curator Lokhandwala! Much later when she began focussing on performance photography and … N. Pushpamala. Billed as a Photo Romance and shot in the film noir style, the thriller starred Pushpamala as not only the Phantom Lady but also her doppelganger, the lost twin sister The Vamp. What stood out amongst them was a photo collage by Bangalore-based artist Pushpamala N. titled ‘Return of the Phantom Lady of Sinful City.’ This photo-romance depicted the journey of Phantom Lady, an imaginary construct much like Gabbar Singh, rescuing a girl from the land mafia of Mumbai. Pushpamala's early photographic series are closely linked with South Asian cinematic conventions. Monday, 25 April 2016. However, time travel possible through our Audio & Video. Drawing attention to the constructed nature of the image, Pushpamala reenacts historical representations of women in order to subvert them; in one series she embodies the seven moods … Chicago, Walsh Gallery, Phantom Lady and Sunhere Sapne, 2003. From the series Phantom Lady or Kismet, 1996-98. N. Pushpamala. Sometimes, Pushpamala N draws directly from cinema: “Phantom Lady” is based on Fearless Nadia, a masked, caped stuntwoman and film star from the 1930s. Satirical, witty, she has over the years created situations and recreated some iconic images popularised by Indian culture. Browse upcoming auctions and create alerts for artworks you are interested in. EUR 4,100. Pushpamala is presenting ‘Return of the Phantom Lady’ as part of an online exhibition, titled ‘Living the New Normal’, on Shalini Passi’s MASH India, that explores the photographic work of five women artists – Anita Dube, Prajakta Potnis, Mithu Sen and Shilpa Gupta, besides Pushpamala. ‘Phantom Lady or Kismet’ was a cryptic takeoff on Indian pop films about the exploits of Nadia, an eternal super heroine. Elaborating on the leitmotif running through the works, Passi says. Elements of theatrical impulses incorporated in her photography and sculptures. Not only was it a homage to silent film characters like Hunterwali, it also engaged the present by locating … For example, in the exhibition, she is the frightened Draupadi, facing the threat of the rape by a … Skip to main content. In the sequel, Return of the Phantom Lady (Sinful City) (2012), … EUR 3,500. Phantom Lady #22, 1996-1998. From the series Phantom Lady or Kismet – A Photoromance by Pushpamala N. Pushpamala N trails off as I listen and ask her if there’s a ten-minute break she can take from herself, into herself. EUR 4,100. Pushpamala N is a photo, video, installation and performance artist, sculptor, writer and curator, who lives and works in Bangalore India. 19 May – 29 June 2012. Share to Twitter Share to Facebook Share to Pinterest. Phantom Lady #22, 1996-1998. From 1996 to 1998 Pushpamala created Phantom Lady or Kismet, the artist’s first “photo-performance” work comprised of 25 black-and-white prints. From the series Phantom Lady or Kismet, 1996-98. Pushpamala N. Pushpamala N. during Khoj Live, 2012. MENU. Native Women of South India: Manners and Customs (2004) A photo-performance … Humour, wit and subversion in Feminist Art. Labels: TAKE ON ART. Gelatin Silver Print. Seek an Artwork by N. Pushpamala. Galerie Zurcher Paris. Click Here to View more. You can unsubscribe or change your preferences at any time by clicking the link in our emails. View all results for. We will process the personal data you have supplied in accordance with our privacy policy (available on request). Born in Bangalore, 1956, Pushpamala N has been called “the most entertaining artist-iconoclast of contemporary Indian art”. At Melbourne’s ACMI, a forthcoming production called ‘Fearless Nadia’ will be performed on October 13th as part of the Melbourne International Festival. C-Print. Authors; Librarians; Editors; Societies I wasn’t part of the world that was associated with photojournalism and … Phantom Lady or Kismet, a photo romance, Gallery Chemould, Mumbai, and at the artist's studio, Bangalore, India 1994 Excavations, Gallery Chemould, Mumbai, India ... Pushpamala N. and Alex Mathew, Venkatappa Art Gallery, Bangalore, and at CMC Gallery, New Delhi and … She attended Bangalore University from 1976-77, where she studied under Balan Nambiar and then studied Sculpture at the Faculty of Fine Arts, MS University, Baroda. Pushpamala N is a photo, video, installation and performance artist, sculptor, writer and curator, who lives and works in Bangalore India. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Pushpamala made her first series of what she calls ‘Photo Romances’ back in 1996 titled Phantom Lady or Kismet. Pushpamala N trails off as I listen and ask her if there’s a ten-minute break she can take from herself, into herself. Phantom Lady and Sunhere Sapne, Walsh Gallery, Chicago, USA The Anguished Heart, Nature Morte and Gallery Chemould, at British Council, Delhi, India 2002 Golden Dreams, Gallery Sumukha, Bangalore, India 2001 Golden Dreams, Gallery Chemould, Mumbai, India 1998 Phantom Lady or Kismet, a photo romance, Gallery Chemould, Mumbai, and at the artist's studio, Bangalore, India 1994 Excavations, Gallery … ''Phantom Lady, or Kismet'' (1996-98) is a takeoff on Indian pop films about the exploits of a superheroine named Nadia, who here wears Zorro-esque attire to rescue a vampy younger sister from underworld embroilment. Known for her deceptively simple feminist works, most famously the “film noir style” Phantom Lady photo-performance, Pushpamala places herself at the centre of the social and political inquiry in the current show, by acting out multiple roles that have historical significance and contemporary relevance. On the occasion of Women’s History Month, the Museum of Art & Photography in collaboration with the Bangalore International Centre is hosting a special edition of its lecture series called ‘Women in Art & Culture’ by four Indian women prominent in their respective fields. TAKE - Photography I Issue 17 I . Auction Closed. C-Print. In Phantom Lady, Pushpamala dressed up as a character that was clearly inspired by the masked adventuress in the 1935 film, Hunterwali, played Fearless Nadira. The gorgeous black and white photos presented a noir story set in Mumbai and … Date & Time. In her strongly feminist and subversive work and her collaborations with photographers, writers, theatre directors and film makers, the artist seeks to intervene in the dominant cultural and intellectual discourse. Gelatin Silver Print. ‘The phantom lady strikes!‘ by Pushpamala N, Thesis Eleven. Browse upcoming and past auction lots by Pushpamala N.. Phantom Lady or Kismet, a photo- romance, Gallery Chemould, Mumbai And at the artist’s studio, Bangalore 1994 Excavations, sculpture/ installation, Gallery Chemould, Mumbai 1983 Pushpamala N, sculptures, Venkatappa Art Gallery, Bangalore. Pushpamala N., Phantom Lady or Kismet, 1996-98, Black and white photographs, Selenium toned silver gelatine, 16 x 20”. How did ‘Phantom Lady’ come about? The Phantom Lady Strikes Again I found this old unpublished essay from 1998, written after one of those hot discussions with friends, discussing many things still of interest today. The work acquired a cult status and has been exhibited all over the world, prompting … However, when on a yacht (the Phantom Lady) taking them away from London, Alex's cover is blown by Sykes (ripping. Access more artwork lots and estimated & realized auction prices on MutualArt. View Phantom Lady #14 (1996 - 1998) By Pushpamala N.; silver gelatin print; 52 x 43 cm; Signed; . Pushpamala N was born in Bangalore. Pushpamala N. The ethnographic series (set of 45), 2000–2004 Sale Date: June 10, 2010. Pushpamala N returns with another edition of Phantom Lady, her photo-performance series shot noir-style. Pushpamala made her first series of what she calls ‘Photo Romances’ back in 1996 titled Phantom Lady or Kismet. @pushpamalan @shalini.passi @lakeeren @arshiyalokhandwala @naturemorte_delhi @aparajita_jain . PUSHPAMALA N “Return of the Phantom Lady” (Sinful City) About the work: From 1996 to ’98, Pushpamala created Phantom Lady or Kismet, the artist’s first “photo-performance” work comprised of 25 black-and-white prints. Photography. Pushpamala N. Artist. Photo- and video-performance artist Pushpamala N. plays the subject in images that critique female stereotypes in India and the reductive classifications furthered by ethnographic documentation. MASH webinar with Pushpamala N as she speaks about the making of the "Return of Phantom Lady" hosted by Dr Arshiya Lokhandwala & Shalini Passi. The Native Types - Flirting, 2006. Pushpamala N., Phantom Lady or Kismet, 1996-98, Black and white photographs, Selenium toned silver gelatine, 16 x 20”. Learn about the artist and see available works for sale. EUR 3,500. Humour, wit and subversion in Feminist Art. Don’t miss the chance of meeting Pushpamala N as Phantom Lady - Live Sunday @ 11 am. The series ‘Phantom Lady or Kismet’ (1996-98), inspired by actor Nadia’s role in the 1935 film Hunterwali, was shot in film-noir style, with Pushpamala masked and caped, rescuing an orphaned schoolgirl. Known for her deceptively simple feminist works, most famously the “film noir style” Phantom Lady photo-performance, Pushpamala places herself at the centre of the social and political inquiry in the current show, by acting out multiple roles that have historical significance and contemporary relevance. Recommended features Return of the Phantom Lady (2012) Sinful City. But they are all stories. 7, 4th Main Road, Domlur II Stage, Bengaluru 560 071. She lives in Bangalore, India. A photo-romance Shot in Mumbai 21 colour photographs image size 20×30 inches. Her first photo-romance Phantom Lady or Kismet, in which she played the two protagonists, is a deliberately excessive, even burlesque, revisitation of a popular genre of films from pre-Independence India, recalling the stunt pictures of Wadia Movietone, featuring Fearless Nadia - the “Hunterwali". Share. The four photographic series had links to cinematic conventions of South Asia. N. Pushpamala is one of Karnataka’s most creative minds in whom many streams – literature, music, photography, theatre – culminate. N. Pushpamala. View and collect fine art from leading galleries and art dealers. I do work with video as well, but I love composing still photographs because of the … ‘Phantom Lady or Kismet’ was a cryptic takeoff on Indian pop films about the exploits of Nadia, an eternal super heroine. Photography. Nature … View Phantom lady no.14 another 2 works by Pushpamala N. on artnet. Contact +91 98865 99675 bic@bangaloreinternationalcentre.org. The online show Living the New Normal has been curated by Arshiya Mansoor Lokhandwala and is supported by MASH India, a digital platform … Pushpamala’s work has been shown in important shows such as the Kochi Biennale 2014, Prospect 3 New Orleans, the First Johannesburg Biennale, Photo Espana Madrid, Ikono On Air Festival and at institutions including the Tate Modern and Saatchi Art Gallery London, Centre Pompidou Paris, Seattle Museum, Walker Art Centre and Art Institute of Chicago USA; Royal Ontario Museum Toronto, Museo Tamayo Mexico, Photomuseum Winterthur Switzerland, Caixaforum Barcelona, IVAM Museum Valencia, Spain, MAXXI Museum Rome, Mori Art Museum Tokyo, National Museum of Modern Art Korea, National Portrait Gallery Canberra and Devi Art Foundation and NGMA India. Chemould Prescott Road Mumbai. Pushpamala N. (born 1956) is a photo and visual artist based in Bangalore, India. “Phantom Lady or Kismet: a photo romance”- Chemould Prescott Road, Mumbai 1994 “Excavations”- Chemould Prescott Road, Mumbai 1983 “Pushpamala N”- Venkatappa Art Gallery, Bangalore Group Exhibitions 2013 "Backflip: Feminism and Humour Contemporary Art"- Margaret Lawrence Gallery, Melbourne "Poses and Views"- Nature Morte, Berlin 2012 Facebook; … Billed as a Photo Romance and shot in the film noir style, the thriller starred Pushpamala as not only the Phantom Lady but also her doppelganger, the lost twin sister The Vamp. 6 November – 6 December 2012. Photography. Women in Art 1- Chronicles of the Phantom Lady. ‘I can try,’ she finally sighs, and in we dive back to the beginnings of being the Phantom Lady of contemporary Indian performance art – of assuming all the roles she desired in times that the only one for a woman was precisely that - of a woman. "The world stands … Pushpamala N. takes account of that history and makes it her own.” The four photographic series had links to cinematic conventions of South Asia. Giclée prints on Harman Gloss Baryta paper, %3Cdiv%20class%3D%22artist%22%3EPushpamala%20N%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EReturn%20of%20the%20Phantom%20Lady%20%28Sinful%20City%29%3A%20A%20Photo-Romance%20%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2012%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EGicl%C3%A9e%20prints%20on%20Harman%20Gloss%20Baryta%20paper%20%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3ESet%20of%2021%20photographs%3Cbr/%3E%0A20%20x%2030%20inches%3Cbr/%3E%0A50.8%20x%2076.2%20cm%3C/div%3E. Photography. Born in Bangalore, Pushpamala formally trained as a sculptor and eventually shifted to photography to explore her interest in narrative figuration. View Pushpamala N.’s artworks on artnet. 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