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It's because Whole Lotta Red has broken my analytical, musical brain and I've decided these words are pointless. The 24-track album, which arrived on Christmas Day, switches between rampant, aggressive tracks and trancier trap sounds – much like his long-time collaborator (Lil Uzi Vert’s efforts on last March’s ‘Eternal Atake’. The core element of Whole Lotta Red is its hyperkinetic pacing, especially in its extended opening run. Album Review: Whole Lotta Red. Carti has one of, if not the most unique and creative voices in the rap game right now. Carti’s track pays homage to Slayer, one of the most influential metal bands ever. OVERALL RATING: 8/10. It’s hard, melodic, experimental, and unlike anything else happening in mainstream rap. The Atlanta rapper’s third record is both wildly innovative and strikingly consistent. ... On Whole Lotta Red, Carti experiments with not only the baby voice, but with a variety of different kinds of vocal inflections. On that front, ‘Whole Lotta Red’ sadly falls a little short. (WLR smartly opens with one of its most propulsive songs, where Carti’s voice sounds as if it’s already been strained by an hour-long performance.) For an album with such an extensive list of producers and co-producers—there are 24 beats, and only two from longtime collaborator Pi’erre Bourne—WLR maintains a strikingly consistent palette of mostly electronic sounds. Whole Lotta Red had already been played 126 million times in its opening week. The meaty bass and blown out distortion of “Rockstar Made” belies Carti’s new killer instinct. With the three-song set of “New N3on,” “Control,” and “Punk Monk,” the album transitions from its buzzsaw front half to the more exultant back, but also introduces minor problems of bloat and pacing: Each of these three songs has a better-executed analogue elsewhere on the tracklist, though “Monk” is redeemed in part by the industry intrigue it airs. Playboi Carti’s ‘Whole Lotta Red’ is unique, for the best and the worst Arts & Entertainment Music January 19, 2021 by Lowell Wolfe 0 comments Nearly two and a half years after the release of his debut studio album Die Lit, Playboi Carti dropped his long-awaited sophomore follow-up, Whole Lotta Red, on Dec. 25, 2020. At its best, Whole Lotta Red sounds like Carti’s voice memos have been laid over the most punishing production he could find. Kanye West acts as executive producer on Whole Lotta Red, and shows up for a guest verse on "Go2DaMoon." After two years of broken promises, Atlanta’s Playboi Carti gave his fans a long-awaited Christmas present to sweeten the ending of quite a troublesome year – ‘Whole Lotta Red’. Introduction After Playboi Carti’s newest album “Whole Lotta Red” dropped on Christmas day last year, the 24 year old rapper from Atlanta received a ‘whole lotta’ backlash compared to the massive cult-following his debut album “Die Lit” had. Jordan Terrell Carter was born September 13, 1996 in Atlanta, Georgia. 'Whole Lotta Red', Playboi Carti's sophomore album and the most anticipated album of 2020, drops on Christmas. ‘Stop Breathing’ keeps up with this raging sound: the clutter of bells, 808s and Carti’s signature staccato delivery as he admits: “Ever since my brother died, I been thinking ‘bout homicide”. In the opening trifecta of songs Carti displays more agility and intentionality than he has across his entire discography. “Whole Lotta Red” cements Carti as a mainstay in the rap world Playboi Carti proves as divisive as ever with sophomore album Teren Kowatsch 01.22.2021 30 Views 0 Comments Life Life , music , Rap , review Initially, you might be disappointed to have waited two years for what at first sounds like an underworked collection of throwaways. Delving into the aesthetic Carti has established over the past four years, a more proper label on “Whole Lotta Red” would be a hardcore punk rockstar. However, based on Whole Lotta Red, one would be justified in their concern for his emotional well-being. But, it went unreviewed by the music media. His work, or at least traces of it, seems ever-present, but the man himself is a bit of a ghost. Most impressive is the way Carti has merged his delivery with his pared-down writing style, like when he gets stuck on the line “When I go to sleep, I dream about murder,” delivered over and over in a threatening stage whisper. These are quibbles, mostly, but they add up—less for being outright failures on their own terms, and more for derailing the momentum that Carti otherwise so carefully creates. The 'Whole Lotta Red' aesthetic is alive and well in Carti's 'Tonight Show' rendition of "Slay3r," complete with pyrotechnics and cigarettes. Zacharie Mouille - 22nd January 2021. Catch up every Saturday with 10 of our best-reviewed albums of the week. Whole Lotta Red will remind you how catchy, wild, and wacky Playboi Carti’s music is… For those of you that want me to get straight to the point, I will: Whole Lotta Red does not live up to the outrageous expectations that were placed on it. > Playboi Carti, Whole Lotta Red | Album Review January 19, 2021 Album & EP , Music, Pop Culture, Reviews By the musical hype. Reading Time: 7 min read. ‘Vamp Anthem’, which – somewhat surprisingly – samples Bach’s ‘Toccata and Fugue’, is merely repetitive once its shock value has faded. Whole Lotta Red – Playboi Carti. Playboi Carti has intriguing moments on his sophomore LP, Whole Lotta Red, but needs to expand his arsenal where substance is concerned. The most interesting thing about Playboi Carti is that despite the immense attention and hype he draws, he remains a relative mystery. “Whole Lotta Red” was first announced just months after the release of “Die Lit.” In the two years since the album’s announcement, an enormous number of Playboi Carti songs have been leaked. Hardcore punk is known for its cut-throat and aggressive style, and Carti channels that perfectly on the opening track “Rockstar Made.” 0 Comments. Whole Lotta Red functions like a pressure cooker. Playboi Carti’s new project is enterprising and starkly unique, combining his various styles of old with an exciting new punk sound. (Sometimes there are literal echoes: KP Beatz and Jonah Abraham’s “No Sl33p,” which comes immediately after Juberlee and Roark Bailey’s “Slay3r,” might as well have been built around a hummed recollection of “Slay3r.”) There is sinister Atlanta rap scaffolding—Richie Souf’s “JumpOutTheHouse” sounds like something an agitated Gucci Mane might have jumped on in 2008—but also a refreshing sense of humor, and a looseness that allows the zaniest idea to occasionally win. These songs are in a constant state of being deleted and re-uploaded to YouTube and SoundCloud, but consistently get hundreds of thousands of plays. Such is the case with Whole Lotta Red, the long-awaited, oft-delayed, most recent effort from ATL’s hip-hop Dadaist. Playboi Carti takes an endless supply of bright and serrated beats and packs them together, end on end, so that the album seems to careen wildly toward an unknown destination. But the two dozen new tracks — including collabs with Kanye West and Kid Cudi — are being received like a lump of coal. On ‘M3tamorphosis’ Carti’s braggadocio is infectious as he makes that song’s first refrain (“When you feel like this, can’t nobody tell you shit”) seem empowering, while the rapper’s astral humming takes us to a place of mindless euphoria. It became Playboi Carti’s first number one hit on Billboards album chart, with the equivalent of 100,000 sales in the United States. The song joins previous smashes ‘dothatshit!’ and ‘Flatbed Freestyle’ as a mellow Bourne-Carti tune for fans to fall in love with, the rapper’s knowingly whiny vocals cruising over the producer’s signature minimalist 808s and stretched synths. The album, first announced in summer 2018, was habitually teased on social media within the last two and a half years. Finally, with Whole Lotta Red, we have reached the ultimate stage, the alien voice: a stream of gorgeous, pitch-perfect nonsense, almost completely indecipherable to the human ear. It’s not an easy listen and doesn’t let you in without a great deal of perseverance, this is not an immediate or commercial album by any means. Our review of the new Playboi Carti album Whole Lotta Red. ‘Control’, meanwhile, is a true album highlight, as Carti explores an unusually vulnerable approach to a love song over a hyper-pop beat: “I only want the best for you / I’ll cure your love like a doctor”. Most of the 126 million streams are caused by social media’s controversy with his album. The Kid Cudi-assisted ‘M3tamorphosis’ is particularly disappointing – it’s unusual for Playboi Carti and his team not to know when to end a droning track. Sign up for the 10 to Hear newsletter here. Although fan reception was harsh, Whole Lotta Red was met with generally positive reviews. While they seldom trade in anything like autobiography, they cut close to the bone … Twitter. Whole Lotta Red is an uncompromising, sporadic and messy tour de France of experimental trap music. For an artist who already has an audience’s attention, snippets and half-finished leaks can be more effective than singles: Our brains correct for the compression of sound by imagining the fullest possible mix, and hearing the most interesting parts of a song—the bridge that everyone in the studio agrees is the best part, the opening four-bar run that justifies the track’s existence—suggests a more exciting finished product than the one that, in all likelihood, exists. But there’s no getting away from the fact that at 24 tracks long, there’s not a lot of variety on ‘Whole Lotta Red’, and the biggest take away here is perhaps that perennial rap fan favourite: less is most definitely more. Despite his youth and his brisk release schedule, Carti’s cultish fanbase would have you believe that the periods between his records are long droughts, ones that can only be weathered with frenzied detective work. © 2021 NME is a member of the media division of BandLab Technologies. Whole Lotta Red is a sprawling mass that spans 24 songs and includes performances from Future, Kid Cudi and Kayne West. Whole Lotta Red is a sprawling mass that spans 24 songs and includes performances from Future, Kid Cudi and Kayne West. There is no imposed formality of structure or delivery that could stiffen Carti or bleed the life out of the demos; instead, there is “New Tank,” which seems to have a half-dozen chorus ideas that are dispensed in a single long take. “Whole Lotta Red” shouldn’t be dismissed — the album is worthy of both praise and criticism. He has not completely excised it from Whole Lotta Red, but the album’s most arresting moments come when Carti is rasping, evidently on the verge of losing his breath. Is the album worth a listen or completely boring? It’s only halfway through the song that it becomes clear that aside—one of the least-produced vocal stretches on the album—will be repurposed and repeated as a chorus. The rapper hoped to give fans a Christmas treat with this surprise release. By. It is cohesive, and is drawn from a thread that can be heard throughout the album. Even when songs do conform to more traditional arrangements, they arrive at them in unexpected ways. It … It's been over 2 years since the Cartier's have heard from their favorite adlibber & Whole Lotta Red has been teased for many moons. In some ways, Carti’s public persona betrays his fixation on high fashion: the rapper as couture, something you can’t simply walk into a department store and see, touch, own. Review: Playboi Carti’s ‘Whole Lotta Red’ Zacharie Mouille offers his perspective on the new album from the mumble rap pioneer. It’s one thing for a 24-song, hour-long album that had become an object of such intense speculation to deliver on its promise. Album is a classic if you despise it and it's not as … At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the album received an average score of 73, based on five reviews, indicating "generally favorable reviews". Still, there are moments to celebrate here. His verses don’t correlate with the refrain (“Take my shirt off and all the hoes stop breathing”), but you can easily forgive this due to the succinct nature of the song and its incoherent yet entertaining bars. “Beno!” opens with an aside about Carti buying his sister a Jeep, a cute and specific image in step with the beat, which sounds like an iPhone ringing in heaven. 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