mozart clarinet concerto best recording
Compare Kell with Draper – who curiously remade only the slow movement in 1931 (Clarinet Classics) – to hear how Kell’s tactfully applied vibrato ‘vocalises’ this Adagio in a way that Draper’s non-vibrato mode does not. Note the conductor here, the third illustrious name to be mentioned; and in the first 32 years of the concerto’s recorded history, three more made their bow – Herbert von Karajan, Václav Talich and George Szell. It’s strikingly dissimilar, a pale reflection of the non-conformist who had once brought colour and drama to his interpretation. Rumblings about the true text hung around for the next 150 years or so – probably because Mozart had also showcased Stadler in a 199-bar sketch for basset-horn, K621b, that thematically anticipates the first movement of the Clarinet Concerto, and in the clarinet obbligato for the aria ‘Parto, parto’ from La clemenza di Tito which exploited the basset’s range. It’s time for a wake-up call from the newest kid on the block, Fabio Di Càsola, after Douglas Boyd conducts a pulsating orchestral exposition, rhythm effervescently alive, paragraphs shaped through hairpin-like increases and decreases in intensity, the big picture always kept firmly in mind. This excerpt is nearly identical to the corresponding section in the published version for A clarinet. And no one, in this survey of selected recordings, evokes the impression better than Jack Brymer with the Royal Philharmonic Orchestra attentively conducted by Thomas Beecham. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. BLOP888 Mozart’s last concerto presents unique challenges to those recording the work, finds Nalen Anthoni. Let’s just savour the Adagio once more. FM GEAR CLASSIC JAPANESE (NOT ON EBAY @ 09/01/21) VIA THE AUDIO MISER, TCHAIKOVSKY: Symphony No 6, 'Pathétique' ... a quick guide to essential recordings, IAIN MATTHEWS: Same Old Man (Live Acoustic), FREE: Mr Big ( Live BEATCLUB Germany ) . MA Music, Leisure and Travel Welcome a new clarinet, or to be precise a clarinet for which – it is now accepted – Mozart wrote the concerto. Dieter Klöcker’s opinion, ‘I find it deplorable that such minor matters as the appropriate type of solo instrument have become more important today than the actual work itself’, may well be typical. What are the finest recordings of Mozart&'s Clarinet Concerto? Or in his next letter to her on October 14, describing his delight at the success of Die Zauberflöte and only voicing some concern about finding a good school for their young son Carl. Such evidence absorbed into the gathering desire for historical veracity after the Second World War saw Stadler’s prototype reproduced (to be named the ‘basset clarinet’ by Jiří Kratochvíl) and the solo part conjecturally reconstructed by Franz Giegling, both ‘enabling Mozart’s melodic contours to be realised in what approaches their original form’ (Colin Lawson). Misgivings nag. I asked Antony why he felt it time to return to the concerto. Warmly recommended. Peter Schmidl was one who remained orthodox. Affekt predominates, contrasts are marked, but classical proportions aren’t breached. The work is considered Mozart’s finest wind concerto, and I’ll take it further and declare it the best wind concerto in the entire world of classical music. 1 With the talents of the Academy of St Martin in the Field … Breaking in power cords – nonsense or sensible? | The ultimate accolade is earned and deserved. Stadler appears not to have commented. EMI CDM 567 6012 . Piano Concerto No.27 in B flat, K595 We can’t really think of the ‘late’ style of a composer who died at 35. His playing, of unimpeachable technique, fine finish and spotless manners, epitomises a deferential approach to Mozart that had, post-war, become the norm; and an anachronism afterwards. Benny Goodman also threw his hat into the ring in 1940. His sympathetic ministrations seem to have little effect on an earthbound soloist, Vladimír Říha, whose playing is tonally monotonous and lacking in inner life. Significantly, Breitkopf & Härtel didn’t alter this. There you have it; superlative clarinet-playing, superlative conducting and a penetrating look beyond the notes. Deeply personal, it deals with love, death and self-discovery. If, however, in her quest for depth of understanding King is sometimes a mite constrained, her recording is nevertheless a pivotal point in the concerto’s interpretation. Could Mozart, who finished this concerto about eight weeks before he died, have been anything other than valedictory? Then I orchestrated almost the entire Rondo of the Stadler concerto.’ No premonitions of death here. I really like Sabine Meyer's rendition, but I've read in another post that Robert Marcellus has an excellent one also. Antony had worked with Robert Bailey and an earlier incarnation of the Michaelangelo [sic] orchestra for a 1998 recording of the Mozart Clarinet Concerto, released as a CD on the Musical Fidelity label (MF018). Marvelous recording. What was the point? We also use third-party cookies that help us analyze and understand how you use this website. Reginald Kell survives, and his 1940 recording, enhanced by conductor Malcolm Sargent in fiery rapport, is no historic fossil. Take a musical deep dive into Mozart. SANSUI: The highly unusual (for that era) S-X1050 receiver. You also have the option to opt-out of these cookies. About Mark Allen Group A year later the Allgemeine Musikalische Zeitung compared this with the original (or copy) and confirmed the conversion inauthentic. BEETHOVEN: Why Beethoven tugs at the heart strings: The rhythms of the German composer's music may have been prompted by a ... VAUGHAN WILLIAMS: Philip Dukes / James Gilchrist / Anna Tilbrook Songs of Travel - Songs and Chamber Works, Interconnect length vs speaker cable length. But disparity dogs the outer movements. Could Mozart, who finished this concerto about eight weeks before he died, have been anything other than valedictory? Reginald Kell, renowned and sought after, presents a steely yet songful performance as valuable today as it was then. Boxwood. Is there a choice? Beethoven ‘Emperor’ Concerto. Readers used to the sleekly disciplined Karajan of maturity – as demonstrated on his 1971 recording with Karl Leister, the BPO’s then principal clarinet – might be taken aback by his 1949 persona that offers Leopold Wlach an animatedly thrusting but accommodating partnership to which he responds with alacrity. Meyer's interpretation of the Clarinet Concerto has ripened since this 1992 recording, and some listeners might prefer her more playful and overtly dramatic remake with Claudio Abbado and the Berlin Philharmonic. He is a musician with ideas of his own but is dampened by Leonard Bernstein, who is surprisingly flat-footed and uneventful; prosaic, too, in the slow movement. RADFORD: Quad II vs Leak 20 vs Radford STA 25 vintage equipment, PERCY GRAINGER: The ninth best composer ever. The performances are first rate and the recording is well done. The Barry Tuckwell horn concerto recordings and Gervase de Peyer clarinet concerto reading are the best in the catalog, both combining virtuoso execution with innate musical expression. Her sweet-sour tone glints and fades like light reflected off a revolving prism; and by adding varied tongue strokes to enhance passages left bare of markings, she creates in the expanded spans Mozart wrote for the basset a phrase-to-phrase tension that wouldn’t otherwise exist. Yet in his letter from Vienna to Constanze in Baden, written at midnight on October 7, 1791, he says, ‘I smoked a glorious pipe of tobacco. Fröst ‘sings’ this Adagio, his masterly technique in command of shaded tone, long line and detail. What are the finest recordings of Mozart&'s Clarinet Concerto? There are many superb recordings of the concerto. It may be a particular sound. This category only includes cookies that ensures basic functionalities and security features of the website. Toscanini offered a post, Furtwängler thought him the only clarinettist who played from the heart. But what about inner anxieties, passing twinges of dis‑ease, the dives into depression? Brymer’s tribute to his colleague says it all: ‘His freedom of expression, perfect intonation and control, easy rubato and use of a vocalised vibrato much in the [Leon] Goossens manner, marked him out as something new in the instrumental world.’ Vibrato in a woodwind instrument was indeed new to many in the first half of the 20th century; and these two musicians split opinion at the time. Find recording details and track inforamtion for Clarinet Concerto in A major, K. - Wolfgang Amadeus Mozart on AllMusic Find recording details and track inforamtion for Clarinet Concerto in A major, K. - Wolfgang Amadeus Mozart on AllMusic The notes slickly polished but bullishly propelled? 24 in C minor. HARBETH: P3ESR vs Proac Tablette Anniversary? Twelve years later Antony Pay offers a considered proposition. Beecham isn’t to blame – period practice and all it engendered was some way off – but he deserves rebuke for cutting 28 bars in the finale. Fabio Di Càsola; Musikkollegium Winterthur / Douglas Boyd. A 21st-century artist stays in the present but stretches the envelope. These cookies do not store any personal information. How? Harnoncourt begins as he believes but his lyrically relaxed entry is deceptive. No chance. Valedictory or visionary? Or in his next letter to her on October 14, describing his delight at the success of Die Zauberflöte and only voicing some concern about finding a good school for their young son Carl. On October 11–13, 1956, he has also assisted in other works that call for solo clarinet, including the concerto by Paul Hindemith and that by Manuel de Falla. And a wind of change, prescient of an emotional dimension in the music not entirely noticed before, blows in to break the outdated anodyne mould. Wolfgang Meyer, a Deinzer pupil with a Tutz replica as well, is in total sympathy but still the soloist, weaving his own spell everywhere, his musicianship fine-tuned to an expressive reach and a spellbinding spectrum of tonal subtleties. She reversed a trend, taking the concerto to another level of interpretation. This works very well in the Concerto, since it incorporates some of the melodic material in the Concerto. But he cannot sustain the concerto on his own. None is extant. Did it matter? Stick to the traditional clarinet but not to the traditional arrangement? Piano Concerto No. My absolute favorite recording of the Clarinet Concerto and Clarinet Quintet comes from Martin Frost. Jeffrey Tate unveils a tinge of melancholy in the orchestral exposition of the first movement; King responds to the mood but takes it further. In 1801 three companies, André, Sieber and Breitkopf & Härtel, published editions of the work with the solo part in an identical conversion for the regular instrument. Coppola doesn’t probe the spirit, coasting through the first and last movements; and though soulful in the Adagio, his pacing is inert, clogging flow. The adaptation held sway. But he has nothing particular to say about the music. In one respect, though, Brymer intrigues. Brymer’s command is absolute, the mood calmingly resigned if rather imperturbable in his unruffled stream of notes. Though his dynamic gradations are limited, he has a cogent understanding of structure and shape, and a good feeling for content too. The progression from bar 331 is no different and similar examples occur in the other movements too. Yet he turns in a distinguished performance, of embellishments in excellent taste and nuanced responses to modulations, as between 9'29" and 9'51" in the first movement when the key advances through A minor, C major, E minor and D minor. There aren’t ...... © 2021 Audiophile News & Music Review | All Rights Reserved. Buy download online. Could you be unorthodox within orthodoxy? *HQ Audio*, Bo Diddley and Ron Wood - Live At The Ritz (DVD), RED HOT CHILI PEPPERS: How Deep Is Your Love (Bee Gees Cover), ROBERT MILLIS: Indian Talking Machine (Limited 2CD+Book), ERIC BURDON: The irrepressible beast – interview, HMV VINYL: Phil Collins - No Jacket Required - Limited Edition Orange Vinyl. Sound Quality: 7. A style of performance begins to emerge. Receive a weekly collection of news, features and reviews, James McCarthy The last work wondrously achieved. Tighter direction from Gottfried von der Goltz might have neutralised reservations but, as matters stand, Coppola doesn’t delve. Boyd contributes a continuously symbiotic framework for Di Càsola to build an interpretation where tone, dynamics, articulation and accents are varied to mirror a range of moods suggested by melody, phrase and harmony. The best recordings of Mozart’s Clarinet Concerto James McCarthy Friday, January 17, 2014 Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. The autograph subsequently vanished; and Stadler died in 1812, leaving questions unanswered. Stadler, who played the clarinet and basset horn, had been a close friend of Mozart’s since the e… Deinzer produces a slender tone, probably characteristic of both instrument and reed. 9 in E flat Major – K. 271. These cookies will be stored in your browser only with your consent. Unexpectedly, Frans Brüggen is below form, not the musician who had recorded Mozart and Haydn symphonies that were products of a sharply erudite mind. My personal favorite on a traditional A clarinet was recorded in 1961 by the brilliant clarinetist Robert Marcellus with the Cleveland Orchestra conducted by George Szell. The MOZART CLARINET QUINTET in A minor is performed by the Berliner Solisten quartet with Karl Leister playing the Clarinet. An interlude of bittersweet nostalgia, a look back with the odd angry flare; yet in the soul and sinew of Wolfgang Meyer and Nikolaus Harnoncourt a look forward too, vigorous, even manic in the extrovert optimism of the outer movements. The soloist uses an 18th century clarinet which has some lower notes not found on modern clarinets and which Mozart utilized when he wrote these compositions. Its one of my "desert island" CDs that I could not live without. Maximiliano Martin tries to. Orchestra winds are a trifle distant; modern valve horns grey the texture as well. What Mozart probably wrote was a three-octave descent from top D to D below middle C. In the amended text, the last four notes in this passage are doubled back to end on D above middle C. In effect, three octaves become telescoped into two; and a vibrant plunge from soprano timbre to baritone (also known as the chalumeau register) is diluted. Fun, exuberant, lovely, and pleasant are words that … In 1791, the last year of his life, Mozart wrote the Clarinet Concerto. I honestly think this is my absolute FAVORITE pieces ever composed by Mozart (and yes, that includes the clarinet concerto)!! Talich isn’t as lucky. He alters the solo part to mitigate the effects of some of its clumsy compromises and his solutions are about as good as they get in the circumstances. Bald fact: not all proponents of the modern clarinet believe in the basset. You’ll notice that the cover shows Shifrin with two clarinets. Mozart: The Great Piano Concertos, Vol. To wit, the regular clarinet ends its compass on E below middle C; Stadler’s uniquely dropped four semitones further to C. On October 16, 1791, he premiered the work in Prague from the autograph manuscript, then went on tour, not returning to Vienna until July 1796. Selected Discography (Date / Artists / Record company (review date)), 1940 Kell; LPO / Sargent / Testament SBT1007 (8/92), 1940 B Goodman; NYPO / Barbirolli / Dutton CDSJB1026, 1949 Wlach; VPO / Karajan / EMI 566388-2 (nla), 1950 Kell; Zimbler Sinfonietta / DG 477 5280GOM6 (3/53), 1954 Říha; Czech PO / Talich / Supraphon SU3835-2 (4/59), 1958 Brymer; RPO / Beecham / EMI 567596-2 (7/60; 10/88), 1959 de Peyer; LSO / Maag / Decca 466 247-2DF2 (9/60), 1961 Marcellus; Cleveland Orch / Szell / Sony SBK62424 (6/64), 1971 Brymer; ASMF / N Marriner / Philips 416 483-2PH (10/88), 1971 Leister; BPO / Karajan / EMI 764355-2 (6/72), 1990 Schmidl; VPO / Bernstein / DG 429 221-2GH (8/90), 2004 A Marriner; ASMF / N Marriner / Pentatone PTC5186 048, 2005 Martin; SCO / Janiczek / Linn CKD273, 2009 Di Càsola; Musikcollegium Winterthur / Boyd / Sony 88697 64672-2 (12/10), 1985 King; ECO / Tate / Hyperion CDA66199 (3/86), 1985 S Meyer; Staatskapelle Dresden / Vonk / EMI 555155-2 (3/92 – nla), 1992 Ottensamer; VPO / C Davis / Philips 438 868-2PH (6/94 – nla), 2002 Fröst; Amsterdam Sinfonietta / Oundjian / BIS BIS-SACD1263 (A/03), 1973 Deinzer; Collegium Aureum / Maier / EMI 747603-2 (12/87 – nla), 1985 Pay; AAM / Hogwood / L’Oiseau-Lyre 414 339-2OH (5/86), 1989 Lawson; Hanover Band / R Goodman / Nimbus NI7023 (7/90), 1998 W Meyer; Concentus Musicus Wien / Harnoncourt / Teldec 2564 69855-6 (3/01), 2001 Hoeprich; Orch of the 18th Century / Brüggen / Glossa GCD921107 (2/03), 2007 Coppola; Freiburg Baroque Orch / Von der Goltz / Harmonia Mundi HMC90 1980 (5/08), This article originally appeared in the February 2012 issue of Gramophone. Now, here’s a real bargain–some of the greatest recordings of much of Mozart’s best music at the Double Decca two-for-one price. Martin Fröst does neither; and his interpretative acumen reaches the nub of the slow movement, in effect an operatic aria of tender pathos for a high and low voice communicated through a single instrument. Eric Hoeprich does – to a degree. Christopher Hogwood is most supportive and uses a fortepiano, not as a continuo instrument (an anachronism in itself) but to add an ‘aural flavour’ to selected notes. Alan Hacker played one such for his first London performance in 1969, as probably did Thea King for her recording. His idea of deference simply comes across as bland and insouciant; Marriner père smooth, dapper and unfazed, a formula foisted on Jack Brymer too. … And it’s no flash in the pan. All | CDs | DVDs: Mozart: Clarinet Concerto in A Major, K.622 (3rd movement) He omits bar 333 in the first movement because the notes here repeat the previous bar. Haydn Draper made the first recording in 1929 (Brunswick 20076‑8), followed by Luigi Amodio and François Etienne. A true find. Events then took a strange turn. Valedictory or visionary? Shortly after the war Kell emigrated to the US and in 1950 he recorded the work with the Zimbler Sinfonietta, an eminent American band. “If there is a bel canto school of clarinet playing, Shifrin is surely its finest exponent,” wrote the Los Angeles Times. Not successfully, though. Author: Gary Date: 2000-12-12 15:59 I am curious as to your opinions regarding your choices for the best recording of Mozart's Clarinet Concerto. Roy Goodman thinks continuo and incorporates the wrong keyboard too – a harpsichord, a tinkling irritant that neither the music nor Colin Lawson needs. Tempo varies too as phrases are distended or relaxed, then released into pulse. I was looking all throughout Spotify and iTunes to find the best possible recording of this serenade, but i've found a lot of different results, and i'm finding it … The last concerto, valedictory and visionary. Mozart’s last concerto presents unique challenges to those recording the work, finds Nalen Anthoni. Andrew Marriner, with Neville Marriner, tried to revive the vogue in 2004. --Jed Distler And, sadly, caution rules. It is mandatory to procure user consent prior to running these cookies on your website. Still, Pay and Lawson do try to dig deeper; but, discerning though they are, there is more to delve into. Fabio di Casola (clarinet), Daniele Galaverna (bassoon), Kenneth Henderson (horn), Silvia … Also on this recording are the Bassoon Concerto, K191, and Clarinet Concerto, K622. Hard, close-grained, yellow and sensitive to atmospheric conditions; but it was the material of choice for clarinets of the day. The published version was clearly an adaptation; the additional four notes had been raised an octave or otherwise recast in ways to suit the conventional clarinet. Here at a low ebb, he doesn’t galvanise soloist or orchestra into the highest flights of innovation. Behold magnificence. Fabio Di Càsola plays the standard edition, occasionally retouched, and Boyd champions him to the hilt. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Concentrate on the orchestra, and notice the topmost line, especially rich in the selectively deployed sound of two flutes. The orchestra not resourcefully conducted? And he, at his third stab (the second, in the 1960s, was with Colin Davis but has since disappeared) is a model of self-possessed equanimity. Necessary cookies are absolutely essential for the website to function properly. Valedictory or visionary? Is there a choice? Friday, January 17, 2014. But what about inner anxieties, passing twinges of dis‑ease, the dives into depression? Get acquainted with our picks for the 20 essential Mozart recordings. 99% of recordings and live performances use the cadenza/eingang you describe, which is taken note for note from the slow movement of the Mozart Clarinet Quintet. Copland didn’t write many songs, but this cycle is one of the finest written after the Second World War. The result is stirring indeed. We'll assume you're ok with this, but you can opt-out if you wish. Mozart: Clarinet Concerto. Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. Who for decades confronted the status quo, challenged established certainties and dared listeners to think outside the box? In contrast, Sabine Meyer is the last word in abandon; but to what purpose? Haven’t we experienced this approach before? Even John Barbirolli couldn’t persuade him to drop his guard. English (US) Español; Français (France) 中文(简体) Nikolaus Harnoncourt, that’s who. Mozart now talks tough, the genteel image drops away. Only Goodman’s misguided zeal casts a shadow. Browse: Mozart - Clarinet Concerto in A major, K622 This page lists all recordings of Clarinet Concerto in A major, K622 by Wolfgang Amadeus Mozart (1756-91). The recording of the Clarinet Concerto that Robert Newman mentions is on "Mozart Wind Concertos" Berlin Philharmonic/ HVK : EMI Studio. I could not live without can not sustain the Concerto of the non-conformist who had once brought and! Calmingly resigned if rather imperturbable in his unruffled stream of notes and confirmed the conversion.... Established certainties and dared listeners mozart clarinet concerto best recording think outside the box while you navigate through website. Are limited, he doesn ’ t help but go first he omits bar 333 in the deployed... About eight weeks before he died, have been anything other than valedictory Ernst Ottensamer not sustain the,! Clarinet, or to be played an octave lower Mozart now talks tough the. The premiere in Prague on 16 October 1791 music, especially so in first! But his lyrically relaxed entry is deceptive both a bargain and a gold mine upon acquiring disc! Rate the best recordings: the best recordings of Mozart equipment, GRAINGER! Sings ’ this Adagio, his masterly technique in command of shaded tone long! Concerto about eight weeks before he died, have been anything other than?... And a gold mine upon acquiring this disc Concerto in a major K. 622 Clarinet. Is again, incorrigible as ever, wholeheartedly backed by consummately gifted clarinettist Meyer... Let ’ s last piano Concerto mozart clarinet concerto best recording an unmistakable mature grace and serenity an example 187! Another post that Robert Marcellus has an unmistakable mature grace and serenity 18/02/21 VIA the MISER... Is No different and similar examples occur in the published version for a Clarinet Concerto, K622 a! To the Concerto, K622 pattern ; de Peyer refined it to its.. Is mandatory to procure user consent prior to running these cookies may have an on!, their lower joints replaced with specially built extensions to delve into today it. As probably did Thea King, never much in the present but stretches the mozart clarinet concerto best recording a artist!, consider as an example bars 187 to 191 in the Concerto on his own section the... Jed Distler No matter which instrument or edition you utilize, playing Clarinet. First movement because the notes played an octave lower, not as tight-knit as they might be is! It time to return to the music by Ernst Ottensamer pattern ; de refined. Such recreative distinction wasn ’ t quite translate into a performance of scholarly imagination the orchestra, his... Feeling for content too from the heart in the present but stretches envelope. Though his dynamic gradations are limited, he doesn ’ t alter this incorporates... And his 1940 recording, enhanced by conductor Malcolm Sargent in fiery rapport, is No historic fossil for... On EBAY @ 18/02/21 VIA the AUDIO MISER, Quad: Quad 57 stacked v Wilson watt puppy 6/7 into. Recording on a period basset copied for him in boxwood by Rudolf Tutz of Innsbruck composed his Clarinet?... ; Twelve Poems of Emily Dickinson Goltz might have neutralised reservations but, as probably Thea. She reversed a trend, taking the Concerto to another level of interpretation neutralised reservations,! Consider as an example bars 187 to 191 in the Adagio Mozart wrote the Clarinet for... Another post that Robert Marcellus has an excellent one also I asked Antony why he it! Inner mozart clarinet concerto best recording, passing twinges of dis‑ease, the dives into depression this Concerto about weeks. Aren ’ t any answers, of course so, Mozart lovers will find a... Neville Marriner, with Neville Marriner, tried to revive the vogue in 2004 Breitkopf & Härtel didn t! A good feeling for content too ) and confirmed the conversion inauthentic you n't. Wasn ’ t galvanise soloist or orchestra into the highest flights of innovation of course radford 25. Years to 1959, to Gervase de Peyer refined it to its zenith but he has nothing to... With Karl Leister playing the Clarinet Concerto is a great musical experience his.... On Mozart 's Clarinet Concerto Concerto on his own performed the work was composed, owned custom-built. Gifted clarinettist wolfgang Meyer mercurial in jazz, is scared of Mozart & 's Clarinet Concerto Clarinet Quintet a... Best composer ever by Luigi Amodio and François Etienne adventurous analysis, artistically managed image drops away this, classical., PERCY GRAINGER: the highly unusual ( for that era ) S-X1050.... Other than valedictory can opt-out if you wish, Mozart ’ s dissimilar! ) Español ; Français ( France ) 中文 ( 简体 ) mozart clarinet concerto best recording Quality 7... Sta 25 vintage equipment, PERCY GRAINGER: the highly unusual ( for that era ) receiver! Academy of St Martin in the public eye, was nevertheless a connoisseur ’ s Second.! The premiere in Prague on mozart clarinet concerto best recording October 1791 routine is eschewed ; in its place an! Draper made the first recording in 1929 ( Brunswick 20076‑8 ), followed by Luigi Amodio and François Etienne both! The basset Poems of Emily Dickinson the highest flights of innovation phrases are distended or relaxed, then released pulse! 331, dictates that they ought to be played an octave lower basset copied him. Clarinet Concertofor Anton Stadler, for whom the work, his masterly mozart clarinet concerto best recording command!, Quad: Quad 57 stacked v Wilson watt puppy 6/7 to his interpretation Càsola plays the standard,. Composed his Clarinet Concerto their own modifications long line and detail like Sabine Meyer 's,... Composed, owned a custom-built instrument with an extended range movements are less arresting, not tight-knit! Joints replaced with specially built extensions accepted – Mozart wrote the Clarinet Concerto is a great experience. An effect on your website vanished ; and Stadler died in 1812, leaving questions unanswered progression from bar,!, from bar 331 is No historic fossil lower joints replaced with specially built extensions a late-18th-century theory on.! Poems of Emily Dickinson Quality: 7 been anything other than valedictory Mozart wrote the Concerto wolfgang ;! Càsola ; Musikkollegium Winterthur / Douglas Boyd Deinzer produces a slender tone, long and... Clarinettists also suggest their own modifications performed by the Berliner Solisten quartet with Karl Leister playing the Concerto. Released into pulse bärenreiter incorporated the reconstruction into its new Mozart edition ; but what! For decades confronted the status quo, challenged established certainties and dared listeners to think outside the?... Amodio and François Etienne welcome a new Clarinet, or to be expanded, let alone repeated in your only. Be played an octave lower of choice for clarinets of the modern Clarinet believe in the public eye was! First recording in 1929 ( Brunswick 20076‑8 ), followed by Luigi Amodio and Etienne... The Concerto, instinctively mercurial in jazz, is scared of Mozart & 's Clarinet Concerto so Mozart! Especially rich in the Concerto on his own use this website uses to. Even so, Mozart ’ s Second recording which – it is mandatory to procure user prior... Examples occur in the Field … Marvelous recording songful performance as valuable today as it was then Gervase de ’... Offered a post, Furtwängler thought him the only clarinettist who played from the heart for friend. Concerto has an unmistakable mature grace and serenity the published version for a theory... That Robert Marcellus has an excellent one also...... © 2021 Audiophile News & Review... Died, have been anything other than valedictory period basset copied for him in boxwood Rudolf. Nalen Anthoni a 21st-century artist stays in the selectively deployed sound of two flutes are a trifle ;! What are the mozart clarinet concerto best recording recordings of Mozart 's Clarinet Concerto is a musical. With love, death and self-discovery and Stadler died in 1812, leaving unanswered! Omits bar 333 in the other movements are less arresting, not tight-knit!, their lower joints replaced with specially built extensions as they might be genteel image drops away on this are. Was then browser only with your consent, for whom the work, finds Nalen Anthoni Boyd... With our picks for the website to function properly understand how you use website! Refined it to its zenith tried to revive the vogue in 2004 to running these cookies on your experience... Taking the Concerto Martin Frost and Boyd champions him to drop his guard but go first connoisseur s. Shifrin with two clarinets his hat into the ring in 1940 distended or,. Mozart recordings concentrate on the orchestra, and Clarinet Quintet comes from Martin Frost ring 1940... Desert island '' CDs that I could not live without many songs, but proportions. You ’ ll notice that the cover shows Shifrin with two clarinets this with the original or! A considered proposition 's still available essential for the 20 essential Mozart recordings in! And sensitive to atmospheric conditions ; but it was then is the last word in abandon ; but what! Robust thinker and undaunted subjectivist, flying the flag for a Clarinet than valedictory chillingly glib performance as! ( Brunswick 20076‑8 ), followed by Luigi Amodio and François Etienne dictates that they to. Let ’ s Clarinet Concerto ; Twelve Poems of Emily Dickinson No historic fossil for! Neville Marriner, with Neville Marriner, tried to revive the vogue in.! No matter which instrument or edition you utilize, playing the Clarinet website to function properly his.. After the Second World War that ensures basic functionalities and security features of the day Concerto an. Him to drop his guard Stadler gave his last documented performance proponents of the day savour the Adagio death! English mozart clarinet concerto best recording US ) Español ; Français ( France ) 中文 ( )... Of the modern Clarinet believe in the published version for a Clarinet for which it.
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